Monday, August 24, 2015
Girl's Blood ( Aka x Pinku ) 2014 Engsub
Four girls take part in illegal underground fighting event "Girl's Blood" held at an abandoned school building in Roppongi every night. The girls have their own stories and quirks from their private lives. Satsuki (Yuria Haga) suffers from a gender identity disorder, Chinatsu (Asami Tada) ran away from an abusive husband, Miko (Ayame Misaki) is a S&M queen and Mayu (Rina Koike) has a Lolita face.
Director: Koichi Sakamoto
Stars: Yuria Haga, Oshima Haruka, Sanae Hitomi
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The Trulth About Jane (2001) EngSub
The movie begins with Jane narrating about her life from her birth, to her first birthday and even her first day of kindergarten. Then the film jumps to Jane at age 15, starting her first day of high school. Although Jane appears to be happy and a normal teenage girl to her friends and family, inside she's feeling alone and different. Her feelings grow more confusing, when a new girl arrives named Taylor (played by Alicia Lagano) who Jane sees (and says in a voice over) as "different, smarter, wiser." She then continues to say in the voice over that "maybe because she wasn't from here or maybe it was just her. I'm going to go with the last one, because she ended up changing my life."
The two become friends, innocently enough at first by Jane helping her get caught up in class. Eventually Jane's feelings start to become a little more clearer and she realizes that she has a crush on Taylor. Because of Taylor's abusive home life, she misses school for the next few days, causing Jane to worry about her and seek her out. When Taylor's mother starts yelling at her for being at the door, Taylor tells Jane to leave and that she'll be fine. Worried about her friend and struggling with figuring herself out, Jane starts to become withdrawn from her parents, who are starting to grow concerned.
When Jane's mother, Janice, finally tries to talk about what's been going on, they're interrupted by Jane's father coming in, and announcing that Taylor has come for a visit. After they're left alone by Jane's parents, the two begin to talk and Taylor confesses about her home life and how scared she is sometimes. Jane, wanting to be comforting, brushes Taylor's hair away from her cheek and then puts her hand there. Taylor takes this as a sign and then two share their first kiss. In a voice over, Jane wonders to herself if kissing Taylor made her gay and that at the time, she convinced herself that "it was just a phase." She then goes on to say that "it was the first time I ever felt connected to someone." After that, the two become an official couple.
Janice does not like Taylor, saying that she believes she's a bad influence on Jane, because Jane isn't hanging out with her old friends anymore and doesn't spend enough time with the family, because she's always with Taylor. A while later, Taylor invites Jane over to her house, because her mother is going to be out of town. Despite being terrified of her feelings, Jane and Taylor have sex for the first time. The next day at school, Jane tells Taylor that "it was a mistake" and that she's not gay. Taylor says it's not about being gay, it's about being with the person you want to be with. Hurt, Taylor then leaves and breaks up with Jane.
With Taylor gone, Jane is more withdrawn and heartbroken. When she finally gets over her confusion, she asks Taylor for a second chance, but Taylor says no, saying that she only wants to be with someone who wants to be with her. Distraught, Jane begins to cry and is then confronted by her English teacher/guidance counselor Ms. Walcott (Rowan). Ms. Walcott takes Jane into her office and with some gentle encouraging, Jane confesses that she had sex with someone for the first time and about the situation with Taylor, but she's careful to not specifically say who it was and instead uses such euphemisms as "they're" and "this person."
Ms. Walcott then suggests that Jane write Taylor a note to express how she feels. Jane does and a few days later, Taylor shows up at her house, while Jane is babysitting her brother when her parents are out. Thinking her brother is asleep on the couch, Jane takes Taylor up to her room so they can talk and they eventually reconcile and kiss, not knowing that Jane's brother is watching them through her partially open bedroom door.
Word later gets around about Jane and Taylor, after her brother tells a friend in his class, who just happens to be the younger brother of one of Jane's old friends, whom she dumped for Taylor. Then one night after dinner, Janice gets an anonymous phone call from someone asking if she knows her daughter is a lesbian. Not knowing what to do, Jane's parents confront her about it and ask if it's true. Fearing that her parents will hate her, Jane lies about it and says that she and Taylor were just practicing, which is what her father assumes they were doing.
Confused and consumed with guilt for lying to her parents about her relationship, Jane seeks advice from her mother's gay friend Jimmy (RuPaul) and comes out to him. Jimmy explains that it will get easier and that when the time is right, she'll tell her parents the truth. Eventually the harassment and name calling gets too much for Jane and one night at dinner when her younger brother calls Taylor a dyke, Jane attacks him by pulling him across the dining room table and hitting him. When her parents try to assure her that it's just gossip and that it'll go away, Jane confesses that it's not just gossip and comes out to her parents.
Hurt, shocked and angry, both her parents initially react badly to it, assuming that they had done something wrong and deciding that they will do whatever it takes to make their daughter's life better for her, by convincing her she's not gay. They forbid Jane from seeing Taylor and send her to therapy, because she refuses to talk with them about it and they feel it's the only way to "fix" the situation. Therapy proves useless and Jane and Taylor still continue to see each other, even going as far as sneaking out to a gay bar, which Jane gets grounded for when she comes home at 4 AM. Soon, the sneaking around and drama becomes too much for Taylor and she breaks up with Jane.
Ms. Walcott, who happened to have been by, stops to comfort Jane after she sees her crying. She then explains to Jane that it will get better and that she understands what she's going through. At first Jane doesn't believe her, but then Ms. Walcott comes out to her and tells her the story of the first time she fell in love with a girl. Jane starts to feel better, until she's confronted by her old friends one day at school, and when their teasing becomes too much, Jane attacks one of the girls, which she's suspended for.
After her mother talks with the principal, on their way out of the high school, a group of boys make homophobic remarks about Jane in front of her mother, who is hurt by the comments. Jane sarcastically says she doesn't know why her mother even cares that they said something, because she acts just like them. At home, Janice tries to confront her daughter about what she said at the school. In a rant about gay people being normal, Jane unintentionally outs her teacher.
Believing that Ms. Walcott is the reason behind Jane behaving the way she has been, Janice leaves to confront her. Jane beings to sob and begs her mother not to hurt Ms. Walcott, but she doesn't listen and leaves anyway, causing Jane to collapse and sob into her father's arms. Janice confronts Ms. Walcott at the school, threatening to go to the school board if she doesn't stay away from her daughter.
Later on at home, Jane's parents announce that they feel sending her away to boarding school will be the best way to handle the situation, because they're at a loss for what to do. Jane runs away to her teacher's house, where she apologizes for outing her and tells her that she's considered suicide because she can't stand having her parents hate her so much.
Knowing exactly how she feels, Ms. Walcott goes to Jane's parents and tells them what Jane had told her and what her experiences were like growing up being a lesbian. Jane's parents eventually realize that they need to do something or they'll lose their daughter forever and go with Ms. Walcott back to her home. Janice and Jane talk and the two reconcile, though their relationship is still strained. In an attempt to make her mother more comfortable with things, Jane takes her to a PFLAG (Parents, Families and Friends of Lesbians and Gays) meeting, where they hear a story from another mother whose situation mirrored their own. Janice continues to go to the meetings, despite still being uncomfortable with things and still being unable to admit that her daughter is a lesbian.
When it comes time for a pride rally, Janice announces at dinner that she's not going to go, because she's still not ready, which obviously hurts Jane. Later that night, Janice apologizes and says she's trying, but Jane says that accepting her in private isn't enough. Jane later attends the rally with her father, brother, Jimmy and another friend of her mother's and are eventually joined by Ms. Walcott and her partner. At the very end of the movie, when it's time for the PFLAG parents from Janice's group to speak, Jane looks around at the crowd and sees her mother coming towards her.
Director: Lee Rose
Stars: Stockard Channing, Ellen Muth, Kelly Rowan
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Hannah Free (2009)
Set mostly in a nursing home, 70-something Hannah is kept separate from her lifelong friend and lover Rachel, who is not expected to emerge from her coma. The nurses follow the orders of Rachel's daughter Marge, who claims her mother would be upset by a visit from Hannah.
While Hannah's heart is breaking at the thought of not being able to say goodbye, her mind is full of memories of their life together, and she is frequently visited by a younger, spirit Rachel. Hannah sees, hears, and experiences her, but to anyone else, Hannah appears to be talking to herself. Frustrated by feeling like a prisoner, Hannah grumbles, pleads to see Rachel, and writes in her journal. The backstory gradually emerges.
Hannah transitioned easily from tomboy to openly gay while Rachel gave in to societal expectations, married, raised twins, and kept one foot in the closet most of her life, even though everyone knew about her and Hannah. Having Hannah around was like flying a rainbow flag. Hannah was born to wander. Rachel never left Michigan, but Hannah spent time in Alaska, South America, and during WWII, stationed in New Mexico as a WAC. She had affairs with other women in her travels and they remained good friends, but Rachel always was her true love. There are many flashbacks that show Hannah and Rachel in many aspects of their relationship: being in love, making love, and arguing.
In the nursing home, Hannah deals with the annoying but well-meaning staff members, a bewildered resident, a nasty evangelist, and an equally nasty Marge. The arrival of 21-year-old Greta serves as a catalyst to get Hannah out of bed and into Rachel's room. Greta poses as a random student doing an interview for class, but turns out to be Rachel's biological great-granddaughter, whom Hannah had only met as a young child. Greta has a complicated relationship with her grandmother, Marge, who has never truly accepted Hannah as any sort of important mother figure. Greta, a young lesbian, is fully committed to the rights of Hannah and Rachel, and schemes to bring the family together.
In an emotional final scene, Rachel lays comatose, while Hannah, Marge and Greta hash out their differences. Together, they say goodbye to Rachel, and lovingly set her free.
Director:
Wendy Jo Carlton
Stars: Sharon Gless,
Maureen Gallagher,
Kelli Strickland
Location:
United States
Sunday, August 23, 2015
Saving Face 2004
Saving Face follows Wilhelmina ("Wil"), a young Chinese American surgeon living in New York. The main plot revolves around her mother spontaneously coming to live with her for being pregnant out of wedlock (and thus kicked out of her father's house) while overcoming the difficulties of being closet while dating her lover, Vivian. Wil struggles with allocating time between her mother (Gao) who is shunned by the rest of the Chinese American community of Flushing for being pregnant and unwed and thus has come to live with Wil.
Forced by her mother to come to the typical gathering at Planet China amongst family friends, it is apparent that Wil is closeted to her mother and the rest of the older adults. Although her mother has plans to set her up with a son of a friend, Wil is instantly drawn to Vivian, the daughter of one of the Chinese mothers who recently got a divorce. They accidentally run into each other at the hospital where Wil works, only to discover that Vivian's father is actually Wil's boss.
Eventually, Wil comes home one night to discover her mother waiting for her at the steps: Gao has been kicked out by her father for being pregnant out of wedlock, bring shame to not only her reputation but the whole family name. Completely shocked, Wil asks her mother for the identity of the father, but she refuses to discuss the matter.
Vivian invites Wil to one of her dance shows with a letter left on the vending machine. After the show, the two hang out. Vivian reveals the fact that they had met once before when they were 8 and 9 years old; Vivian kissed Wil on the nose after she rescued her from bullies; Wil running away afterwards. Vivian and Wil later goes to Vivian's house, and the two share a kiss on the floor.
The couple proceed to go on several dates, but Wil is afraid of kissing Vivian in public, which causes tension in the relationship. Meanwhile, Gao goes on several dates in order to find a man to father her child but remains largely uninterested. However, she starts to debate on whether or not to accept the affections of Cho, one of the men whom had liked her for 15 years and is willing to father the child as his own.
On Vivian's request, Wil presents Vivian to her mother as a friend so that they can meet. The three share an awkward dinner. It is revealed that her mother knows of her homosexuality, but is in denial of it.
Later, Vivian reveals to Wil that she was accepted into a ballet program in Paris and still considering the offer. Unable to admit her feelings and be selfish, Wil congratulates Vivian and gives her encouragement to accept the offer. While Vivian still debates on the offer, Vivian's father speaks to Wil and talks her into convincing Vivian to accept the offer. Wil then ignores Vivian for the next couple of days and then breaks up with her, knowing taking the offer is best for Vivian's career.
Gao finally decides to accept the marriage proposal from Cho. At the wedding, Wil interrupts with a love note from the father of the child saying how much he loves her and want to marry her despite their large age gap. It is revealed that Wil's mother refuses to admit his identity due to the fact that he is the son of the pharmacist, who has been sending her secret notes under the guise of giving her Chinese medicine throughout the film.
After realizing that love dominates over societal expectations, Wil rushes to the airport to catch Vivian. Wil apologizes, but Vivian challenges Wil to kiss her to prove her sincerity. Unable to public display her love out of fear, Wil is left at the terminal as Vivian leaves for Paris.
Three months later, Wil goes to another party at Planet China, and Gao is now is a couple with the father of her child. Although sullen, Wil looks up to see Vivian, who has come back into town to see her mother. Wil approaches her and asks her to dance, even though there's no music, and finally kisses her on the dance floor in front of everyone at the restaurant. As Gao and Vivian's mother smile at each other while giving a thumbs up, revealing that they planned for them to reunite, some people leave in disgust at their behaviour. The film ends with the two girls saying "Fuck 'em", while everyone else joins in to dance.
Director:
Alice Wu
Stars: Joan Chen,
Michelle Krusiec,
Lynn Chen
Better than chocolate 1999
Maggie (Karyn Dwyer) has recently moved out on her own, and has started a relationship with another woman, Kim (Christina Cox). However, Maggie's mother Lila (Wendy Crewson) and brother, who are forced to move into her loft sublet with her, are unaware that she is a lesbian. Maggie's freedom is compromised, and she believes she must keep her blossoming affair a secret. However, the clandestine romance introduces Maggie's family to a host of new experiences, many of which are "better than chocolate".
The cast also includes Ann-Marie MacDonald as Frances, the owner of a lesbian bookstore where Maggie works, and Peter Outerbridge as Judy, a trans woman with a crush on Frances.
Director: Anne Wheeler
Stars: Wendy Crewson, Karyn Dwyer, Christina Cox
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The Secret Diaries of Miss Anne Lister 2010
Anne Lister (Maxine Peake) is a young unmarried woman living in 19th century Yorkshire, at Shibden Hall, with her aunt (Gemma Jones) and uncle (Alan David). The one thing she wants from life is to have someone to love and to share her life with. The person she has in mind is Mariana Belcombe (Anna Madeley), with whom she has been conducting a secret romantic and sexual relationship. The relationship breaks apart when Mariana marries a rich widower named Charles Lawton (Michael Culkin). Depressed, Anne devotes her time to studying. A year after Mariana's wedding, Anne begins to think about finding another lover. She meets a young woman in church named Miss Browne (Tina O'Brien), and they become close friends.
Mariana asks Anne to meet her in a hotel in Manchester. There, the two women talk and Mariana tells Anne that she has missed her, and that one day, when her husband has died, they might live together as widow and companion. She says that her husband is not healthy, and will not have long to live. Anne agrees and they buy wedding rings, to wear around their necks until they can live together. Returning to Shibden, Anne ignores the attention of Miss Browne. A local industrialist named Christopher Rawson (Dean Lennox Kelly) proposes marriage to Anne. She turns him down and says that she could only marry for love. He tells her that people talk about her and call her 'Gentleman Jack.' Later, Anne tells her aunt and uncle that she does not want a husband, that she wants to be independent and intends one day to live with a female companion. Mariana visits her on her birthday and they continue their sexual relationship.
Anne attends a party with her acquaintances, including Rawson and the Lawtons. Mariana sees Anne wearing her wedding ring clearly on show and is unhappy with Anne drawing attention to herself. Anne complains that Charles Lawton is not as unhealthy as Mariana had led her to believe. Rawson sees the two women talking together and has a conversation of his own with Lawton. When Mariana returns to her husband's side, he looks dazed and asks her how Anne loves her. After the party, Mariana writes to Anne and tells her that her husband is suspicious. She tells Anne not to write to her anymore.
Anne's uncle dies and she inherits his wealth. She writes to Mariana, asking her to come to live with her at once. Mariana replies that she will be travelling nearby in a month's time and that they will discuss what to do then. When the time comes, Anne meets Mariana's coach coming along the road and excitedly gets in. Mariana is angry at her drawing attention to herself. She tells Anne that she would rather die than have people know about their relationship. She says that they could be happy together, but would have to live apart. Anne tells her that she wants to spend her life with someone, and leaves.
When Rawson offers to buy some land from Anne to sink a mine, she declines and says that she will mine it herself. She forms a business alliance with Ann Walker (Christine Bottomley), an unmarried acquaintance who has recently inherited her own fortune. They become close friends. Soon the two women are intimidated and harassed by Rawson, now their business rival. For protection, Ann Walker goes to stay at Shibden with Anne. Her aunt (Richenda Carey) comes to tell her niece that people are spreading shocking rumours about the two women. She asks Ann to return home before she ruins her family's name and warns her that she may ruin her chance of finding a husband. Ann tells her that she does not want a husband. When her aunt leaves, she tells Anne that she wants to live at Shibden with her. Anne asks her if she understands what the rumours and insinuations are about. Ann says that she does and makes it clear that she wants them to be together romantically.
Mariana visits Anne and says that she could leave Charles now. She asks if there is still a place for her in Anne's heart, but Anne says that she has found someone she is happy with now, and Mariana leaves. Her husband lives to the age of 89.
Director:
James Kent
Aimee and Jaguar (1999) Engsub
The film explores the lives of the characters Felice Schragenheim (Maria Schrader), a Jewish woman who assumed a false name and who belongs to an underground organization, and Lilly Wust (Juliane Köhler), a married mother of four children, unsatisfied with her philandering Nazi officer husband.
The film begins in 1997, with an 83-year-old Lilly (played by Inge Keller) taking up residence in a dilapidated flat that once served as an underground hideout. Brought to a retirement home, Lilly encounters her old maid Ilse (played by Johanna Wokalek in the 1940s, by Kyra Mladeck in 1997), who was rounded up during 1945, and is already a tenant.
In 1943, Felice, assuming a false last name and working as a journalist at a Nazi newspaper, meets Lilly via her friend and sometimes lover Ilse, who works as Lilly's housekeeper. Instantly smitten, she takes the initiative in the love affair by sending flagrant letters to Lilly and signing her name as Jaguar, much to Ilse's dismay. One fateful afternoon, Felice, Ilse, and their friends Klara and Lotte are accosted by German soldiers, and all but Lotte manage to escape. Shot down by the soldiers, they find no identification on Lotte's body except for a photograph of her and Felice. Lonely due to the constant absence of her husband, Lilly engages in a series of affairs with other men, but is disillusioned by the callous treatment of her latest tryst with another Nazi officer. She grows closer to Felice, who attempts to kiss her during a New Year's Eve Party in her Berlin apartment after Lilly discovers her philandering husband with Ilse, but rejects her. As her husband tries to make amends with her the following morning, Lilly realizes she has never loved him and reconciles with Felice.
With her husband again away at war, Lilly and Felice begin a shaky but intense relationship. The film features both erotic encounters and sentimental love poems (quoted from the book), and during one love scene Felice proclaims Lilly is an Aimée to Felice as Jaguar. On Lilly's birthday, Felice and her friends throw a party in her apartment that culminates in a lesbian orgy. Lilly is mortified when she sees Ilse and Felice kissing drunkenly, and further disillusioned when Felice rejects her advances for the night. The next morning, Lilly’s husband arrives on special leave for his wife's birthday only to witness the aftermath of the previous night's events. Although enraged, he vows to not punish her for her indiscretion so long that their marriage and life remain intact, but Lilly instead surprises him by asking for a divorce. Afraid that her husband may turn them in, Felice and her friends stop seeing Lilly for the sake of their own survival. Heartbroken, Lilly holes up in her apartment, eventually sending her children away to safety, and erupts in anger when Felice finally visits her after several weeks. Felice reveals the truth that she is Jewish and feared for her life, and the two make up.
After the 20 July Plot, Felice and her friends fear for their lives and arrange to flee Germany before they are rounded up. At the last moment, Felice decides to stay in spite of the danger so that she may remain with Lilly. After a day of frolicking in the countryside, the two return to Lilly's apartment where Felice is captured by the Gestapo, using the photograph of her and Lotte to identify her. She is sent to the Theresienstadt concentration camp from where the two still manage to correspond, but all contact is lost by the end of 1944.
Lilly and Ilse reminisce about times past as the film ends. Lilly, though saddened by the tragedy that she caused her friends and lovers, is unable to imagine how her life could have been any different, given her obsessive live-for-today-for-tomorrow-we-die mentality, common among besieged Berliners. Lilly Wust lived in Berlin until her death on 31 March 2006. The tagline of the film is "Love Transcends Death".
Director:
Max Färberböck
Stars:
Maria Schrader,
Juliane Köhler,
Johanna Wokalek
Friday, August 21, 2015
Butterfly ( Hu die ) 2004 Engsub
The film follows Flavia (Josie Ho), a married high school teacher, who meets a beautiful free-spirited female singer-songwriter named Yip (Tian Yuan) and strikes up a relationship with the younger girl. Flavia is a closeted lesbian because she was brought up in a society where homosexuality was not accepted. When Flavia was a teenager, she fell in love with a girl in her class, but was forced to end the relationship when it was discovered by her parents. Heartbroken, she eventually married a competent and caring businessman after graduating from university. Now in her 30s and married with a child, she meets Yip. Flavia is deeply attracted to Yip's carefree personality and bright spirit, and falls for Yip in the same way she fell for her first love in high school. She slowly dares to break out while worried about the consequences but at the same time, hopeful about finding her true self again.
Director: Yan Yan Mak
Stars: Josie Ho, Yuan Tian, Eric Kot
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The Purple Sea ( Viola Di Mare ) 2009 Engsub
Purple Sea is a surprising, powerful film from Italian writer/director Donatella Marioca. A period piece set on a rural 19th century island, it’s a heartfelt, riveting, completely unpredictable love story between two women.
We first meet Angela (Valeria Solarino) and Sara (Isabella Ragonese) when they are young girls, running around on their astoundingly beautiful Mediterranean island. They (along with neighborhood boys Tomasso and Ventura) are friends despite differences in social class – Angela is the daughter of the quarry foreman, the only booming industry on the isle, while Sara is destined to be a servant for the “baron” the wealthy man who owns the whole place.
Not all is idyllic on the little slice of paradise, as Angela’s father is revealed to be an angry, bitter, abusive man. He hates that Angela is a girl (she’s useless as a successor in business) and beats her for the slightest offense. Early scenes set up the relationship among the rebellious little Angela, her battered mother, pious aunt, and
We quickly flash forward about fifteen years, where our leads are now young women in their twenties. Sara has returned from time on the mainland, and we can immediately tell that Angela has been counting the days (and possibly the hours and minutes) until her return. Somehow, our anxious heroine seems to figure out right away that she is in love with her childhood “friend” – and despite the fact that they haven’t seen one another in years, they immediately hit it off once again.
After a few friendly encounters, it becomes obvious that there’s far more boiling beneath the surface. Persistent and passionate, Angela is not happy about the possibility of Tomasso proposing to Sara, and on one windswept afternoon, she comes outright with her desire to marry Sara, and boldly steals a kiss.
The rigid social structure of a rural European town in the 1800s is everywhere – in the language, in the dress, in the customs and unspoken rules and religious doctrine that permeates the whole place. The word “lesbian” never even appears – likely, these people didn’t even have a word or a real conception of what that meant. In this way, Purple Sea takes “it simply wasn’t done” to new heights.
Despite the world around them, our leads begin a passionate romance. While Sara seems to have more of an issue processing her feelings – at one point, she proclaims “it’s a sin!” before giving right in to her sinful instincts – things go more smoothly than one would expect for the times. That is, until Angela’s father arranges her marriage to Ventura, one of his “managers” at the quarry, and our feisty heroine outright refuses. Not only does she say no to dad (a big taboo for a woman in those circumstances), she even comes out, spilling the beans about her feelings for Sara.
monstrous father.
Sooner than you can say “overblown patriarchy!” she’s locked into an underground storage room. She’s not allowed out of her dungeon until she agrees to marry Ventura, assuring her heterosexuality in the process.
Up until this point, the story has taken a fairly conventional arc. Girl meets girl in an incredibly oppressive, patriarchal world. They fall in love. Dire consequences occur at the hands of the tyrannical men in their lives. You’d be forgiven for sighing, predicting that a murder, suicide, or both are in the cards, and turning off the movie. You shouldn’t, because events take a surprising, fascinating turn from this point on.
In order to save face and allow her daughter to survive in a cruel society, Angela’s long-suffering mother bravely proposes an unconventional solution: they’ll call a favor in with the priest (truly, the most powerful man – aside from the baron – in the town), have him declare that he made a mistake at Angela’s birth, and declare her male. Angela will now be referred to as “Angelo” – he will serve as his father’s heir at the quarry, and he will be able to marry Sara. Grudgingly, both the priest and the father agree.
The film logically follows this progression, as Angela (who refers to herself as a woman and goes along with the scheme only so she can be with her beloved) becomes Angelo in public. There’s a fascinating commentary on gender identity and expression here, especially as expressed within a world where male and female roles are so starkly contrasted.
It’s especially powerful because the film is actually based on true events. While it’s impossible to gauge just how accurate Maiorca’s version of the story is, it’s genuinely incredible that these women were able to love one another, more or less openly, despite the odds against them.
There are many twists and turns ahead for the couple – some of which feel astoundingly modern, and very little that occurs follows any sort of “typical lesbian movie” tropes. It feels refreshing and honest, especially for a period piece.
Director:
Donatella Maiorca
Stars:
Valeria Solarino,
Isabella Ragonese,
Ennio Fantastichini
Thursday, August 20, 2015
Murderous Maids ( Les blessures assassines ) 2000 Engsub
Christine Papin (Sylvie Testud), and Léa Papin (Julie-Marie Parmentier) are sisters with a troubled past, who work as maids in Le Mans, France. After a string of domestic jobs, they start working for the Lancelin family, which consists of Monsieur Lancelin, his wife and their adult daughter Genevieve. Christine sees in Madame Lancelin a mother figure, in spite of her severity. But their wretched background — an indifferent mother, a drunken, abusive father and time spent in orphanages — casts a shadow over the girls. Over time, their ill-fated situation darkens and they withdraw into themselves. Finally, after six years of service, they end up committing a particularly brutal crime on February 2, 1933: killing Madame Lancelin and her daughter after gouging their eyes out.
Director: Jean-Pierre Denis
Stars: Sylvie Testud, Julie-Marie Parmentier, Isabelle Renauld
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Kiss Myg ( With Every Heartbeat ) 2011 Engsub
Mia is a 33-year-old up-and-coming architect living in Stockholm, Sweden who is about to marry Tim, her long-term boyfriend and business partner. Mia and Tim fly to Goteborg for her father's 60th birthday party. At the party, Mia's father, Lasse, has just asked his live-in girlfriend of five years, Elisabeth, to marry him and she accepts. Mia then meets Elizabeth's fun-loving 30-year-old daughter Frida, who works as a local elementary school teacher. Mia is wary to be accepted into Elisabeth's liberal family, feeling like she will always be an outsider. Throughout the party, Mia and Frida exchange many glances, portending mutual attraction.
Reluctantly, Mia agrees to get to know her future stepmother and stepsister a little better by agreeing to take a weekend getaway on the island of Fyn, Denmark with Frida and Elisabeth at Elisabeth and Lasse's summer cottage. Forced to share a bedroom with Frida, Mia finds herself fascinated by the other woman's free-spirited enjoyment of life. Frida tells Mia that she is an 'out and proud' lesbian. While out walking in the woods one night, Mia boldly kisses Frida leading to an amorous embrace, but then runs away. Frida is ready and willing to reciprocate the affection. After another day and evening of talk, both Frida and Mia cannot keep their attraction to each other suppressed and it leads to Frida climbing into Mia's bed and the two women have sex for the first time.
The next morning, the two women part ways. Mia returns to Stockholm with Tim, and Frida returns to her life partner Elin. Both Mia and Frida have trouble putting memory of the intimacy they shared behind them. A chance meeting leads to Mia and Frida escaping into the Swedish countryside to a cabin where the two of them shed their inhibitions once more and fall deeply in love. But Mia must decide if she and Frida will have a future together or if their sexual attraction to each other will bring everything in their perfect lives to a halt.
Director: Alexandra-Therese Keining
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Blue is the warmest color ( La vie d'Adèle ) 2013 EngSub
Adèle is an introverted 15-year-old high-school student whose classmates gossip constantly about boys. While crossing the street one day, she passes by a woman with short blue hair and is instantly attracted. She dates a boy at her school for a short while and they have sex, but she is ultimately dissatisfied and breaks off their relationship. After having vivid fantasies about the woman she saw on the street and having one of her female friends behave flirtatiously towards her, she becomes troubled about her sexual identity. One friend, the openly gay Valentin, seems to understand her confusion and takes her to a gay dance bar. After some time, Adèle leaves and walks into a lesbian bar, where she experiences assertive advances from some of the women. The blue haired woman is also there and intervenes, claiming Adèle is her cousin to those pursuing Adèle. The woman is Emma, a graduating art student. They become friends and begin to spend more time with each other. Adèle's friends suspect her of being a lesbian and ostracise her at school. Despite the backlash, she becomes very close to Emma. Their bond increases and before long, the two share a kiss at a picnic. They later have sex and begin a passionate relationship. Emma's artsy family is very welcoming to the couple, but Adèle tells her conservative, working-class parents that Emma is just a tutor for philosophy class.
In the years that follow, the two women live with each other as lovers. Adèle finishes school and joins the teaching staff at a local elementary school, while Emma tries to move forward with her painting career. Adèle feels ill at ease among Emma's intellectual friends; and Emma belittles her teaching career, encouraging her to find fulfillment in writing, Adèle enjoys playing the stereotypical feminine role in their relationship but Emma becomes physically and emotionally distant. They gradually begin to realise how little they have in common. Emotional complexities manifest in the relationship and Adèle, in an impulsive moment of loneliness and confusion, sleeps with a male colleague.
Emma becomes aware of the brief fling and kicks Adèle out of their apartment, leaving Adèle heartbroken and alone. Time passes and although Adèle finds satisfaction in her job as a kindergarten teacher, an indescribable sadness begins to overwhelm her. The two eventually meet again in a restaurant. Adèle is still very deeply in love with Emma and despite the powerful connection that is clearly still there between them, Emma is now in a committed partnership with Lise, the pregnant woman at the party they threw a few years earlier, who now has a young daughter. It is implied that the two had known each other for years, and had become reacquainted during the party. Adèle is devastated, but holds it in. Emma admits that she does not feel sexually fulfilled but has accepted it as a part of her new phase in life. She reassures Adèle, though, that their relationship was special: "I have infinite tenderness for you. I always will. All my life long." The two part on amicable terms.
The film concludes with Adèle at Emma's new art exhibition. Hanging on one wall is a nude painting that Emma once did of her during the sensual bloom of their life together. Though Emma acknowledges her, her attention is primarily on the gallery's other guests and Lise. Adèle congratulates Emma on the success of her art and leaves after a brief conversation with a young man she met earlier in the film. He chases after her but heads in the wrong direction. Adèle walks away into an ambiguous future as a hang is played over the soundtrack and the film ends.
Director: Abdellatif Kechiche
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